Artist’s Corner – Kevin Baldwin: Composition No. 10
The score of a musical work is fascinating. As a composer, I spend hundreds of hours alone with a score to unearth and present the uniqueness of every sound. I consider the physicality of a sound, both in the depth of overtones and frequencies and in the most mi-nuscule human motions it takes to produce them. I consider texture, the harsh and grinding color of the cellist utilizing over-pressured bowing, and the intimate fragility of the flautist’s unstable multi-phonic. I consider shape, from violent rhythmic gestures to light, lyrical flurries. I consider, how variations larger blocks made up of colors, texutres, layers, and rhythms work together to highlight every unique aspect of a sound. I consider the weight of each and every observance I make, and I ensure every mark in the score best reveals the essence of a sound.
Aleksandr Karjaka
Aleksandr Karjaka came to New York for the music, but stayed for the visuals. As a classically trained musician, he’s had the honor of performing with some of the greatest musicians, and artistic houses, in the world. Often quoted as "Listening through his eyes." he's photographed the lives and stories of thousands of artists of all fields over the years. Here are their KARJAKA portraits.
All pieces by Aleksandr Karjaka →
