Artist’s Corner – Kevin Baldwin: Composition No. 8

In visual art, there is most often a directness of communication to the audience. The painter creates a work, and the audience views the work. By contrast, the composer writes the score, and the audience hears that interpretation. Because the focus is on creating sound, the physical work that I, the composer, create is viewed as a tool to produce art. but I always wondered, why can’t the score be the work? Why can’t the intricate and detailed notations be appreciated for their visual properties? Why can’t the score be notated purely for notation’s sake? As a composer, a saxophonist, and a visual artist, my love and distain for the score acts as the catalyst to my Composition series.

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Performance Season… Cue the Halloween Masks, Turkey Tryptophan and the Facade.

As a kid, who’s favorite holiday wasn’t Halloween? The concept to a young mind is unfathomable. Wait, everyone we know is giving out sugary delights on one random day? Inconceivable! What must I achieve to get this candy? Wear a clown costume Grandma made decades ago… I can do that. Wear the winter coat on top of it, because it’s raining/snowing again in Chicago, well that’s a bit much. As we get older though candy turns into other sweet accesses, haunted houses, excuses to show off that bangin’ bod, spooky date nights, college drinking and debauchery etc. For many of us as aspiring artists or wanna be theater kids, Halloween became a haven for performance. It was if the world got together and collectively said, hey it’s performance time and it’s not Spring Carnival or Mardi Gras but also another spiritual landmark and this time pertaining to the lost souls of the underworld. Everyone gets to pretend and play on this one day. For many of us this was the door opening to an art fantasy world, and for that same many, we’ve likely never left.

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