Issue 102 - Black Americana

06/01/2025
Editors Note: Ironically, this Edition features the anything but absurd painter Andrea Olivia. Everyone has a story. No really, it's true. If you're alive, chances are you've done some things, and if you're dead you're probably not reading this. As most artists do, Andrea has lived a few lives, but I knew none of them when I stumbled upon her art at the New York Academy of Art. On my way to the brilliant Paola Yamel Lima's studio at the Academy, I happened upon Andrea's studio and became transfixed on her portraits. I stopped dead in my tracks. I had to know more of Andrea. The rest, as they say, was history. There's pure magic in who she is and what she paints, and so our narrative began with intrigue of the art only to turn into admiration of the whole. Her story is a must read as our feature this month.

From This Issue

Beyond the 9-to-5: My Journey to Embracing Multipotentiality 

From Issue 102 — Black Americana By A. Carly Buxton, PhDWhy do we feel compelled to choose a single, clearly defined career path? Perhaps it's because...

Art Direction: The Future of Social Practice

What is art direction? Why is it important? From Issue 102 — Black Americana As I again prepare for another transition, these questions are at the heart...

Black Americana

Before I had the words, I had images, gestures, make-believe worlds. Art didn’t arrive like a choice, it found me the way light finds a crack in the door. From a young age, I understood that stories weren’t just entertainment; they were survival, a way of making sense of the world and my place within it.

LETTER FROM THE EDITOR: Camus Clowns Around, and Sartre sets the Stage: Ready to Rock.

From Issue 102 — Black Americana That's right, an Absurdist magazine. Nothing new, and certainly not the first of its kind, except we at KARJAKA went...

The Art of the Freelance Dance.

It takes a special blend of grit, charm, and just the right amount of delusion to make it as a freelancer in New York City. Carrie Bradshaw nailed it when she said, “Welcome to New York — It’s really just a bunch of people trying to not get kicked out of their apartments.” Staying afloat here is a success. Being a success? That’s practically a miracle, and a testament to the fact that you never stopped showing up.

Monologue Portraits: The Argument

“Giddy up. I’ll make coffee,” he says. One floor below. Right underneath us. It’s Wednesday morning. I’m excited about the shoot. I think.