Issue 75 - The Virgin Mistress

11/01/2021

From This Issue

The Virgin Mistress

Bloated Beach Bod Remember, Craig said ever so casually while loading the incline bench press, you may be able to squat 365lbs and deadlift 400+ etcetera, but no woman will come up to you at the beach and ask you what you squat.

Composers in Crisis: Music in light of the Pandemic

During the pandemic we all took a hit. Many things we were used to having and doing were suddenly gone. The underpinnings of everyday life were taken away and we had to decide how to move forward. In the arts we had to confront the sudden and serious impact to our medium and how we would move forward. Many of these challenges are being felt even today. A lot of the pandemic left artists re-evaluating their art and their purpose as creators and performers. It had brought upon us a time of self-reflection. My choice has been to compose a requiem, not just to the people we so needlessly lost during the pandemic, but to a way of life and perhaps a mindset that has passed as well and left in its place is a need to re-evaluate purpose and course. I think this has created a great opportunity to begin to examine some of the areas of our lives that we normally ignore and distract ourselves from with the normal diversions of everyday life.

Step out in Style this Holiday Season

Last year, the Holidays were tough on all of us. Some of you might have been quarantining in your sweats and pjs while some might not have been able to celebrate with loved ones at all due to Covid 19. This year, we are ready to gather again and CELEBRATE! Most likely you’ll be celebrating with friends and family so why not take this opportunity to ring in the new year in style. It’s time to turn it all the way up!

Artist’s Corner – Kevin Baldwin: Composition No. 5

In visual art, there is most often a directness of communication to the audience. The painter creates a work, and the audience views the work. By contrast, the composer writes the score, and the audience hears that interpretation. Because the focus is on creating sound, the physical work that I, the composer, create is viewed as a tool to produce art. but I always wondered, why can't the score be the work? Why can't the intricate and detailed notations be appreciated for their visual properties? Why can't the score be notated purely for notation's sake? As a composer, a saxophonist, and a visual artist, my love and distain for the score acts as the catalyst to my Composition series.

Transformations: A Quick Hobby or Lifetime Changeover

Transformation.  I used to hate that word.  I’m still not fond of it.  However, there is a common understanding in the fitness community and...